I spent the day yesterday at the Rhode Island Convention Center where The Teaching Studio at The Learning Community, a public charter school in Central Falls, Rhode Island, held their 2nd Annual Educators’ Institute. Hundreds of teachers spent the day with noted educators Vicki Vinton, Cornelius Minor, and Sharon Taberski, learning new ways to improve their practice.
Opening doors to new possibilities was a thread that wove its way through all of the wisdom shared by Vicki, Cornelius, and Sharon. I’m excited to return to school tomorrow and talk with my colleagues about some of these ideas. Today, I want to share a peek inside those doors that were opened for me.
Vicki Vinton shared her latest work, which centers around three strands of meaning making: comprehension, understanding, and evaluation. Vicki talked about how we can help kids “make their thinking visible through a handful of simple charts,” and she urged us to share books that are accessible and “get kids involved doing the thinking right from the get go.” For those of you who don’t know Vicki, she is co-author with Dorothy Barnhouse of What Readers Really Do: Teaching the Process of Meaning Makingand shares her brilliance regularly on her blog, To Make a Prairie.
During lunch, Cornelius Minor, a staff developer at Teachers College Reading and Writing Project, talked about empowering kids to be the superhero of their own lives. He urged us to get rid of the idea of “my kids can’t…” because “we are the people who say the awesome things that help kids be awesome.” We have to respect kids and find ways to give them “a chance to live in text that is compelling and sustaining.” He cautioned us to be patient with this process, that learning is messy, and that kids will not get it right the first time. But through a cycle of doing, feedback, and encouragement, they will accomplish great things.
In the day’s final keynote, Sharon Taberski, author of On Solid Ground and Comprehension from the Ground Up, shared “Five Ways to Grow Critical, Engaged Thinkers.” Sharon urged us to “embrace the workshop model and its abundant opportunities for both balance and differentiation.”She reminded us that brain research shows that both explicit instruction and time to practice are critical if students are to master the skills they need to be independent readers, writers, and thinkers. Sharon also emphasized the need to “let the students do the heavy lifting” and to teach kids to be “purposeful and strategic.” Finally, she talked about aligning our “belief systems about teaching and learning” with our goals for student learning and to design our classrooms in ways that are physical manifestations of what we value.
Each of these keynotes and the breakout sessions presented by Vicki, Cornelius, and Sharon deserve their own post. But each opened a door in my mind, and I’ll be thinking and writing more about these ideas in the weeks to come.
Thank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Be sure to visit Two Writing Teachers to read more Slice of Life posts.
Earlier this week, I wrote about a piece in The New York Times that asked columnists to consider which books they read over and over again. There are many books I’ve reread, but one of the best by far is The Birchbark House (Hyperion, 1999), Louise
Erdrich’s middle grade novel about Omakayas, a young Ojibwa girl, and her family. Erdrich’s depiction of their life on the shores of Lake Superior in the mid-1800s, which was a National Book Award finalist, offers readers a window into a culture that has essentially disappeared.
When I taught third grade, I read The Birchbark House to my students every year. But it’s been almost ten years since the last time I read this book. This week, I revisited Erdrich’s lyrical prose and “found” this poem in the final chapter, “Full Circle.”
Although spring, with all the force of tender new buds,
opening magically,
touched her heart,
there would always be
a shadow to her laughter.
The ground harbored sunshine, spread warmth beneath their feet.
Omakayas felt the calm sweetness of the earth
and tears burned.
Where was Newoo?
She missed him.
There were birds, little birds with white throats,
sweet spring cries.
“I remember their song; their song was my comfort,
my lullaby.”
Piercing spring music. White throated sparrows
calling out to one another.
Their delicate song surrounded her, running in waves through the leafless trees.
Omakayas heard something new in their voices. She heard Newoo.
She smiled, as the song of the white-throated sparrow
sank again and again through the air
like a shining needle,
and sewed up her broken heart.
You can learn more about The Birchbark Househere, and find out more about found poetry here.
Please be sure to visit Laura Shovan at Author Amok for the Poetry Friday Round Up.
Thank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Be sure to visit Two Writing Teachers to read more Slice of Life posts.
My writing schedule has been disrupted by staying at school too late over the past few days, so this “Currently” list seemed like a good way to try to get back on track. Thanks to Fran McVeigh and Bev Baird for the inspiration!
CURRENTLY:
Listening to the wind. It’s howling this morning. Morning Edition is on, but I usually listen to music when I write. Mozart and Scarlatti are my favorites. On my way to work later, I’ll be listening to Erik Larson’s new book, Dead Wake, about the sinking of the Lusitania.
Eating oatmeal and toast for breakfast.
Drinking coffee!
Wearing my pajamas and bathrobe.
Reading Enchantment Lake, by Margi Preus. I love Preus’s writing, and this is an engaging mystery, but I haven’t had a lot of time for reading lately.
Feeling happy that the weather has finally changed and there are hints of spring in the air. The snow is melting faster that I thought possible.
Wanting more time to read. My TBR pile is about to topple over!
Needing to get ready to go to Rhode Island this weekend for the Teaching Studio’s Educators’ Institute. Vicki Vinton, Sharon Taberski, and Cornelius Minor are the keynote speakers!
Thinking about how we’ll celebrate my son’s upcoming 30th birthday. Will we go to Brooklyn, or will Michael and Julia come home for the weekend?
Enjoying having an extra half hour this morning to sit at the kitchen table to eat my breakfast, write this slice, and watch the sunrise.
Thank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Be sure to visit Two Writing Teachers to read more Slice of Life posts.
When her children were small, evenings were busy and full.
Dinner on the table before exhaustion set in.
Baths and stories,
boys in their blanket sleepers,
clean and snuggly,
clamoring for stories and lullabies.
Years went by. Swim meets and soccer practice,
boy scouts and music lessons.
Dinner later and later.
Rushing seemed their only speed.
Then one of those boys left for college. Fewer games to cheer at,
mountains of laundry eroded to foothills.
Soon enough, both boys were gone.
Now she is greeted by a fluffy orange cat,
purring and happy to see her.
The house is quite.
Nowhere to rush to.
At times,
the silence of her empty house
made her feel
superfluous.
But most of the time, she welcomes the peace at day’s end.
In the kitchen, no longer rushed,
she finds pleasure chopping onions,
slicing carrots,
keeping time with the dripping rain.
Thank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Be sure to visit Two Writing Teachers to read more Slice of Life posts.
My role as literacy specialist encompasses three main responsibilities. I work with teachers to develop and refine curriculum and instruction, conduct model lessons in classrooms, and work with tier 3 readers in grades K-3. I love everything about my job, but the best part by far is working with tier 3 students. They work hard and will try their best, even if I’ve overshot what I think they can accomplish. I am in awe of them.
On Monday, one of my first grade students had a breakthrough moment. She has been struggling with learning short vowel sounds, so we’ve been practicing them. A lot. The word work portion of our session involved a mixed short vowel sort. She was doing a great job stretching out each sound, then blending them back into the whole word.
Then she came to the word “snug.” She covered up the -ug chunk, read sn, covered up the sn and read -ug. Then, with the confidence of a Hollywood star, she read “snug.” Hurrah! But she wasn’t finished. She turned to the “Awesome Readers…” chart right next toher, pointed to the “Chunk it” strategy, and proceeded to explain to me what she had just done and why it was better than stretching out each sound in the word!
To say that I was thrilled is an understatement. These kind of spontaneous metacognitive moments don’t happen every day. I praised her for using the strategy and the chart. I told her how proud I was of her for working so hard and for thinking about the strategies I’ve been teaching her. She was beaming!
I was never a cheerleader, but sometimes I feel like one as I work with my students. Of course I teach and model strategies for decoding and comprehension, but I also encourage students when they’re frustrated. I coach them through the hard parts. I celebrate their successes.
In her book Mindset: The New Psychology of Success, (Random House, 2007), Carol Dweck tells us “the view you adopt for yourself profoundly affects the way you lead your life.” In other words, my celebration and acknowledgement of my students’ hard work may be more important than the decoding skills they’re learning. For it is through this acknowledgement and celebration that they begin to see themselves as capable and confident. They begin to see themselves as readers.
Thank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Be sure to visit Two Writing Teachers to read more Slice of Life posts.
It’s been a busy weekend, filled with family, errands, cooking, and chores. And, in Connecticut at least, the sun was shining and the temperature climbed into the thirties! I actually went outside for a short walk. The birds were also happy with the weather, and one inspired this haiku:
From his frosty perch
a crimson cardinal chirps
welcoming the dawn.
By LASZLO ILYES, via Wikimedia CommonsThank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Be sure to visit Two Writing Teachers to read more Slice of Life posts.
“The writer should never be ashamed of staring. There is nothing that does not require his attention.”
~ Flannery O’Connor ~
Like this blue jay and everyone else in the northeast, I’ve stared at plenty of snow this winter. So how hard could it be to come up with a poem for Carol Varsalona’s “Winter Whisperings” gallery? I had jottings about winter everywhere, a false start to a poem here, a line that definitely should be abandoned there. Nothing was coming together.
Taking a cue from Kate Messner, I decided to try to capture the many different moods of snow into one “Sometimes” poem.
“Sometimes Snow…”
Sometimes snow whispers itself into the world, falling gently to the ground,
muffling every sound.
Sometimes snow ROARS through the air,
the north wind sculpting it
into undulating drifts.
Sometimes snow settles on tree branches,
offering itself to
thirsty blue jays.
Sometimes snow is blue in the moon’s glow,
catching stark shadows,
crisp as X-rays.
But then, come March, snow begins to
melt.
At first just a trickle,
then a torrent,
filling brooks and
streams and rivers,
washing away
our winter weariness,
Be sure to visit Robyn Campbell for the Poetry Friday Round Up, and thank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Don’t forget to visit Two Writing Teachers to read more Slice of Life posts.
Have you ever ridden in the rumble seat of a 1930 Ford Model A? For a ten year old, almost nothing is more exhilarating.
When I was a kid, our neighbor owned a tree farm. Neat rows of shrubs, pine, willow, and birch trees stretched for a quarter mile from the edge of his yard, creating a miniature forest in the midst of miles of cow pastures. Narrow lanes lined the perimeter of the nursery, and one or two paths cut through the center, allowing easy access to all the trees.
Uncle Jack, as everyone called him, was my best friend’s uncle. He and his mother lived in a ranch house close to the road, built there I’m sure so there would be more room for trees. Because Lisa’s grandmother lived there, she and her brother Johnny spent a lot of time there. Because this was right next door, I spent a lot of time there, too.
Most of the time, we played all sorts of typical kid games. But on certain days, beautiful sunny days that were clear and warm, we went out in the Model A. Uncle Jack’s 1930 Ford Model A was stored in the back of the garage under a musty brown tarp. Johnny, who was two years older, loved to drive this car around the nursery and Lisa and I loved to ride with him.
Sadly, I don’t have a photo of Uncle Jack’s car. This is the closest copyright-free image I could find. By GPS 56 from New Zealand (1930 Ford Model A Roadster) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)%5D, via Wikimedia Commons
The blue paint was faded, and the seats were hard and cracked, but we didn’t care. To us, this old car was a chariot that whisked us away to adventure. As soon as the car was out of the garage, Lisa and I scrambled up into the tiny seat that appeared like magic from where the trunk should have been. Then we were off along the the pathways between the trees.
I’m sure we never went more than 20 or 30 miles per hour, and maybe we didn’t even go that fast. Of course the lanes were rutted and uneven. But bouncing over the bumps was part of the thrill. And what a thrill it was to be riding along with the wind in our hair, the sun on our faces, and not a care in the world.
It’s almost unimaginable to me now that we were allowed this kind of freedom, to be driven around by a twelve or thirteen year old! Yet we never had a mishap of any kind and no one ever got hurt.
Soon enough, we outgrew the Model A and our afternoon drives. We were off on adventures beyond the boundaries of the nursery. But we carried away fond memories of those joyous days, cruising along those tree-lined lanes.
Thank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Be sure to visit Two Writing Teachers to read more Slice of Life posts.
Today is an exciting day here at Reading to the Core! I’m so happy to welcome poet Leslie Bulion to talk about her third collection of nonfiction poetry, Random Body Parts: Gross Anatomy Riddles in Verse (Peachtree, 2015). Leslie is also the author of At the Sea Floor Cafe: Odd Ocean Critter Poems and Hey There, Stink Bug!, as well as four books of fiction. You can read about all of Leslie’s work on her website.
The words “gross” and “riddles” in the title of this collection will automatically lure readers who wouldn’t ordinarily pick up poetry. In the opening poem, Leslie invites readers to “Riddle Me This:”
“Of course you have a body,
But do you have a clue,
Where all the body parts you’ve got are found
And what they do?”
Leslie delivers on her promise of grossness. In “Lunchtime,” kids will learn which body part has “Mucus [oozing] from deep inside” and which makes “gobs of mucus disgusty.” (“The Gatekeeper”) Leslie’s poems are full of humor, and allusions to Shakespeare’s plays are woven into every poem. Side notes include the kinds of fascinating facts kids love. For example, didyou know your kidneys are the size of a gerbil?
Mike Lowery’s appealing illustrations blend cartoon-like drawings with photos and antique anatomical prints. Leslie included a glossary, as well as notes about the poetic forms used and the Shakespearean references. There is also a list of resources for further investigation.
Without further ado, welcome, Leslie!
Thanks so much for inviting me to your blog, Catherine!
Photo by Jen Schulten
I’m always interested to learn where authors get their ideas. What made you decide to write a poetry collection about anatomy?
A week of summer entomology camp for grown-ups sparked my science poetry journey as I thought about pairing two wonderful things that come in small packages: hundreds of millions of years of evolution packed into a critter the size of a beetle, and a poem’s elegant arrangement of words and ideas. From HEY THERE, STINK BUG, the next obvious stop for me was AT THE SEA FLOOR CAFE: ODD OCEAN CRITTER POEMS, since I have a graduate background in oceanography. I always mine my subjects for their full grossness potential, so moving on to body parts was–well–a no-brainer.
One aspect I love about the collection is that each poem contains an allusion to one Shakespeare. Why?
In my collections, I am always working from what I call my “big idea.” In RANDOM BODY PARTS, the big idea is riddles, since the subject matter is fairly familiar. I am carefully selective about the forms of poetry I use for each individual subject. One obvious place to start this collection was with a sonnet about the heart. I chose Shakespeare’s Sonnet #18 as my mentor text. Fun! I decided to keep playing with Shakespeare’s words and moved on to “Grumble, grumble, roil and rumble” inspired by the witches’ speech in Macbeth. Shakespeare’s rich words and phrases are part of our English lexicon and will be enjoyed over and over again during the lifetime of any reader–it’s never too early to start sampling the banquet!
Can you describe the process you used to research these poems?
I read GRAY’S ANATOMY and other reference books, used many excellent online sources, and my favorite: I watched the UC Berkeley online “General Human Anatomy” lectures given by the inimitable Dr. Marian Diamond (here’s a link to a NYTimes article about the class http://www.nytimes.com/2010/04/18/education/edlife/18anatomy-t.html?_r=0 ). Back to school! YAY! I reread Shakespeare, and read many recent reference books about Shakespeare’s language, and combed through lists of quotations, revisiting the original sources when something caught my eye.
I became a dedicated list-maker: lists of disembodied parts, lists of favorite Shakespeare lines, phrases and his wealth of invented words, lists of poetic forms I wanted to include. Then I played the match game. Some of the Shakespeare references are more obscure than others–the process was a challenge!
What advice can you give to teachers and students who are inspired to use Random Body parts as a mentor text and write their own collection of nonfiction poems?
In all of my collections, I try to include a range of poetic forms. Some forms are simpler and some are more complex. They all use some sense of rhyme and/or rhythm, and those aspects touch on math and music as well as language. This may seem counter-intuitive, but paring a body of science research down to a coherent and elegantly brief poem is a wonderful way for students to seek and demonstrate an integrated understanding of their subject matter. Rather than listing “facts,” I suggest finding the juicy nugget of story you’d like to communicate about your particular subject. What is the most interesting thing you’ve learned in your research? What was surprising? What connections have you made? Those are the ideas that give science poems their shape. I love the readers’ theater possibilities with poetry, and especially with poems for two (or more) voices. Also, writing and solving riddles taps all kinds of other skills, and provides many classroom possibilities for learning fun. On the illustration side of things, I think the book’s multi-layered design and Mike Lowery’s illustrations provide endless mentor art possibilities–so accessible, fun, and visually literate!
Who are your poetic influences? Favorite poets?
There are so many wonderful poets writing now that I’m going to limit my answer to the poets who set me on this path from my childhood (thought I didn’t know it at the time): A.A. Milne and Theodor Geisel, aka Dr. Seuss.
You say on your blog that even though you wrote poetry when you were younger, you didn’t always want to be a writer. What finally helped you decide to become a writer?
My friend Pam told me to. That’s the real answer. She is a writer and editor and has been my friend since I was 12. Well into adulthood I wrote her a long letter about making choices as a parent, and she asked me to write for the magazine PARENTS. Somewhere along the way I told her a story about something that happened to one of my daughters and she said, “That would make a good children’s story.” I’ve never looked back since.
Leslie, thank you so much for taking the time to answer my questions! I know teachers will be happy to include this collection in their health/anatomy units.
It is absolutely my pleasure, Catherine. I am so excited to add this new collection to my body of work!
Thank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Be sure to visit Two Writing Teachers to read more Slice of Life posts.
Today I’m also joining Alyson Beecher of Kit Lit Frenzy and other bloggers who feature nonfiction picture books each Wednesday. Thank you, Alyson, for this round up of terrific new nonfiction!
The word challenge is a appropriate on so many levels for this Slice of Life Challenge! How do I make the time to write everyday? How to read all the terrific posts being shared? How do I come up with an idea of what to write about Every. Single. Day.
It’s not that I don’t have ideas. It’s that they don’t always cooperate, or I don’t have the time I need to develop them. So what to do on those days?
A few months ago, I received an intriguing postcard advertising Rip the Page! Adventures in Creative Writing (Roost Books, 2010) by Karen Benke. The jacket copy goes on to say that the book “Includes wordplay, open-ended writing experiments, encouragement from writers and poets, and enough blank pages to let your words roam…” I ordered it immediately.
To say that this book is full of inspiration is an understatement. I could open up to any random page and have a topic to write about in under a minute. Today’s slice is courtesy “Favorite Words,” a page with sixty random words. Benke describes this as “a list of some of my favorite words to snack on.” I chose the word “honeysuckle,” which unleashed this:
By Aftabbanoori (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia CommonsThe potential of this book for classroom use is endless. I can’t wait to see what my students come up with based on their favorite words!
Thank you to Stacey, Tara, Dana, Betsy, Anna, and Beth for this space for teachers and others to share their stories each day during the month of March and on Tuesdays throughout the year. Be sure to visit Two Writing Teachers to read more Slice of Life posts.