News From the Natural World: Specimen

Today’s poem was inspired by Lab Girl, by Hope Jahren, The Overstory, by Richard Powers, and The Hidden Life of Trees, by Peter Wohlleben.

“Specimen” (with a nod to Walt Whitman)

On a summer day, sit against a tree
in the shade of its vibrant green umbrella.

Settle into the peace of the day.
A slight breeze ruffles the leaves.

And then everything seems still.
But appearances are deceiving.

Beneath the scaly bark,
Water is being drawn up, up, up.

In the leaves above, sunlight stirs cells,
creating a coursing stream of sugar.

This fresh new food is pumping
through every part of the silent giant.

Grass tickles the back of bare legs.
Listen for the hum of life.

A whole hidden world
lies just beneath the soil.

Roots and mycorrhizal networks
branch off in every direction.

Sharing food, sending messages,
Communicating, cooperating.

Quietly going about the business
Of making life on earth possible.

Catherine Flynn, Draft @ 2020

Photo by Jan Huber on Unsplash

National Poetry Month: News From the Natural World

“Get curious. Go deep. Feel.
Explore.
Create new paths.”
Johanna Wright

It’s April 1st, the first day of National Poetry Month, the first full month of spring, and the first day of our first full month of quarantine. So it’s hard to say Happy 1st day of April as we ordinarily would. And yet, the blessing of our ability to connect through this amazing technology is something to be happy about. How lucky we are to have thousands and thousands of poems at our fingertips to read and savor and find comfort in.

Many poets of the Kidlitosphere undertake a poetry project each April. In the past I have joined in when I could, but haven’t ever committed to a project of my own before. And although figuring out how to teach online has a steep learning curve, I do have a bit more free time I normally would. So if not this year, when?

On a recent episode of the Ted Talk Radio Hour, Enrico Ramirez Ruiz, an astrophysicist who describes himself as a “stellar mortician,” explained that “we are all atomically connected, fundamentally, universally.” My aim is to focus on some element of the natural world and find those connections, and within them, find tolerance and understanding. Should be a snap, don’t you think? I have no idea where all this will lead, so thank you in advance for your patience. I’m sure there will be false starts and changes along the way, but isn’t that true of all adventures?

Today’s poem was inspired by “Lessons In Being Alone, From A Woodland Snail,” a recent episode of NPR’s podcast, “Short Wave.

Forest Snail

In the soft glow
of a quarter moon,
a solitary snails
glides through
the forest
on a trail of slime.

She finds a patch
of wild violets
and slowly munches
on fallen petals.

When she is full,
she withdraws
into the comfort
of her shell,
a ribboned reflection
of the moon above.

Draft © Catherine Flynn, 2020

Charles J Sharp / CC BY-SA (https://creativecommons.org/licenses/by-sa/3.0)

If you’d like to read more, Jama Rattigan has generously devoted much time and energy to curate a page of links to many National Poetry Month projects.

 

Poetry Friday: “Authors”

I am a creature of habit. I crave routines to keep my life in order. Needless to say, habits, routines, and order are out the window. We are all trying to make some sense of our new reality.

The habit of Poetry Friday is now deeply ingrained in me, and yet I couldn’t manage a post last week. I resolved not to let this week go by, too.
At the beginning of the month, Tabatha Yeatts was in Michelle Heidenrich Barnes’s TDL Spotlight and challenged readers to “write a poem about a game.”

There are several games I love to play, but my husband is NOT a game player. Now that my children are grown, I don’t play games as often as I’d like, so I really had to dig deep for an idea for this challenge. Not surprisingly, afternoons spent with my grandmother came to the rescue. My sister often joined in the game, but for today, it’s just me and my grandmother.

“Authors”

One deck of cards
one me, one you
can chase away the blues.

Shuffle, shuffle
four cards each,
Time for the big reveal.

I’ve got Jane Austen.
Here’s Shakespeare. Tennyson
and Hawthorne
, too.

In your hand you hold
Dickens, Balzac, Alcott,
and your favorite, Sir Walter Scott.

Back and forth,
we trade our cards
and slowly build our sets.

The last card is drawn.
Again, you’ve won.
Play once more? You bet!

© Catherine Flynn, 2020

Please be sure to visit Tabatha at her blog, The Opposite of Indifference, for the Poetry Friday Roundup.

Poetry Friday: The Comfort of Pie

Tomorrow is Pi day (3.14). We were going to celebrate at school today with a smorgasbord of pies. Instead, we are all home, hoping that closing our school will help prevent the spread of the coronavirus. We received word last night, before I made the chocolate cream pie my family loves. I was still too filled with worry and the stress of the week to bake last night. I may make it later this afternoon. After all, a piece of pie seems like a reasonable way to soothe the soul. 

We were also going to write Pi poems with the kids today, so I went ahead and wrote one that I hope I will be able to share with them soon. 

Chocolate
pie,
topped with dollops
of
whipped cream; nestled in
a crust of chocolaty crumbs. Divine.

From House of Nash Eats. Here’s their recipe: https://houseofnasheats.com/chocolate-cream-pie/.

Be well, my friends.

Please be sure to visit Matt Forrest Esenwine at Radio, Rhythm, and Rhyme for the Poetry Friday Roundup.

Here are other Pi day poems I’ve written over the last few years:

2018
2017
2016

Poetry Friday: The Question is Why

I spend my days helping kids learn to read. This is incredibly rewarding, but given the nature of how we learn, it can also be frustrating. Kids may read words with long vowels effortlessly one day, then forget they exist the next. So when one of my students was unable to read the word why (a word she knew the day before) not once, not twice, but three times in a row, I knew she needed a poem starring the word why!

There are at least 100 books of poetry in my classroom. I know I’ve seen a why poem somewhere. But after searching through the most likely volumes, I had nothing. Rather than spend any more time looking, I decided to write one. I quickly jotted down a list of why questions, using words that included a number of different phonics patterns we’ve worked on recently. She read it beautifully and loved it.

Fast forward to Sunday. As I was getting ready to meet with the Sunday Night Swaggers, I realized that our monthly challenge was coming up this week! I didn’t even remember what challenge Margaret had posed. A question poem! What on earth could I write about? I’m embarrassed to admit that it took me a few minutes to realize I’d already written one!

This draft is a more polished version of the poem I wrote for my student. It’s not perfect, but she likes it. And she now knows the word why.

Why?

Why do ships sail on the sea?
Why is the sky so blue?
Why do fish swim in the pond?
How I wish I knew!

Why does the moon shine at night?
Why is the grass so green?
Why do bees buzz in the garden?
Why won’t my room stay clean?

Why do ducks say quack, quack, quack?
Why can’t I answer back?

Draft © 2020, Catherine Flynn

Photo by Jenny Bess on Unsplash

What questions are my fellow swaggers asking? Find out by visiting their blogs:

Molly Hogan at Nix the Comfort Zone
Linda Mitchell at A Word Edgewise
Heidi Mordhorst at My Juicy Little Universe
Margaret Simon at Reflections on the Teche

Then head over to Rebecca Herzog’s blog, Sloth Reads, for the Poetry Friday Roundup.

In case you missed it earlier in the week, there is still time to be entered in my giveaway of David L. Harrison’s new book, After Dark. Read my post about using this book in the classroom here.

After Dark Blog Tour: The Final Stop

Welcome to the final stop on the blog tour celebrating the publication of After Dark: Poems About Nocturnal Animals, David L. Harrison’s 97th book! Congratulations, David! I am honored to be part of the festivities. Be sure to visit the previous stops (links below) on the tour for interviews with David about where he gets his ideas, his creative process, and more.

Over at No Water River, David told Renée LaTulippe that “being fascinated with the universe” is one of the major influences on his poetry. This fascination is contagious and shines brightly on every page of this gorgeous book. 

One sure-fire way to build students’ curiosity is to introduce topics through poetry. Which is why I was so excited to share After Dark with my students. Each of the 21 poems highlights the nocturnal comings and goings of familiar animals. The beauty of sharing these poems is that they are about animals children will recognize, but will extend their knowledge in playful and engaging ways.

David’s masterful poetry builds vocabulary and will foster a love of language in readers of all ages. First graders loved “Owl Rules,” a perfect mentor text for young writers. They will use this poem to organize what they have learned about animals they are studying. David’s categories are full of humor: “Never work for food,” “Eat whatever,” “Who needs a nest?” and “Tease campers.” Children will be able to adapt these categories or create their own.

Eighth grade students I work with are currently reading A Midsummer Night’s Dream. They quickly recognized similarities between Shakespeare’s play and “The Queen,” which is filled with rich and royal vocabulary: regal, ermine, suitors, serene.

“The Queen”
(Luna Moth)

Like regal monarch of the night
or fairy in the airy light,
richly robed in ermine white,
winged in velvet royal green.

Suitors you have never seen
find you here in woods serene.
You’ve much to do before the dawn
so when your fleeting life is gone,
future queens can carry on.

© David L. Harrison, 2020

Examples of poetic techniques also abound in After Dark. The rambunctious “growly, pouncy, bitey games” played by wolf pups in “The Rehearsal” is a great example of creating adjectives and making words rhyme. My students are excited to try this themselves! Other favorites, “Toothy Grin,” “The King,” and “Hear This! Hear This” focus on prominent features of the kit fox, the Mexican red-knee tarantula, and spring peepers, then emphasize them through repetition. This poetic technique is one that young writers can easily imitate. The possibilities are truly endless!

Observation is the best way to learn about an animal’s behavior and get ideas about a behavior to focus on in their poem. If heading outside to explore isn’t an option, critter cams are a great way to bring the hidden world of animals into your classroom and spark student writing. 

Stephanie Laberis’s expressive digital illustrations are filled with details that are perfectly suited to the personality David emphasizes in each poem. There are two pages of additional facts about each animal at the end of the book. Students could use these fascinating facts in their own poems.

Boyds Mills & Kane has generously donated a copy of After Dark to one lucky reader of today’s post. Thank you! To be entered in the drawing, leave a comment by Saturday, March 7th. If I pick your name at random, a copy of this delightful book will soon be on its way to you. Thank you, David, for inviting me to join in the fun, and for all your wonderful poetry!

Previous stops on the After Dark Blog Tour:

Writing and Illustrating

Beyond Literacy Link

Read, Learn, and be Happy

Poetry for Children

Teacher Dance

Michelle Kogan

Salt City Verse

Reflections on the Teche

Simply 7 Interview

No Water River

A Word Edgewise

Radio, Rhythm & Rhyme

Live Your Poem

Poetry Friday: A Terza Rima for the Stars

Last summer, my critique group, aka “The Sunday Night Swaggers,” decided to set a monthly challenge for ourselves. This month it was my turn to come up with our challenge. In a moment of insanity, I thought writing a poem using terza rima would be fun.

Terza rima, which was popularized by Dante in The Divine Comedy, consists of tercets with a rhyme scheme of aba, bcb, cdc, and so on. There is no set number of stanzas, and some poems using a terza rima structure end in a couplet that rhymes with the middle line of the previous stanza. The meter is iambic pentameter or tetrameter. (Read more about this form and several examples here.)

This all sounds fairly straightforward. Unless, of course, iambs are your arch-enemy. Even if they are, you still need a topic. Luckily, Betelgeuse, the red giant in the constellation Orion, has become noticeably dimmer in recent months. I’d been reading about this phenomenon, and decided to write my poem about this.

As often happens when writing, this turned out only to be a starting point. My poem morphed into more of a tour of a few constellations. I’m not entirely happy with this draft, and have now officially given up on iambic pentameter, but this was my idea, so here is my terza rima.

Stargazer

On clear nights, when the sky is ablaze
with fireworks from the Milky Way,
step out into the universe and gaze.

Affixed to a path from which he won’t stray,
bold Orion marches on through the night
holding his foe, wily scorpion, at bay.

Cygnus the swan, in perpetual flight
Through vast distant clouds of brilliant stardust
In search of lost love; his passion burns bright.

Polaris, the star all travelers trust,
Illumines the way to your heart’s true home,
constant ally of those with wanderlust.

Listen. Stars tell stories of those who roam
Under the vault of sky’s glittering dome.

Draft, © 2020 by Catherine Flynn

The constellation Orion. Mouser [CC BY-SA (http://creativecommons.org/licenses/by-sa/3.0/)%5D via Wikipedia
Please visit my fellow Swaggers to read their terza rimas!

Molly Hogan at Nix the Comfort Zone
Linda Mitchell at A Word Edgewise
Heidi Mordhorst at My Juicy Little Universe
Margaret Simon at Reflections on the Teche

And don’t forget to stop by Laura Purdie Salas’s blog for the Poetry Friday Roundup.

Poetry Friday: A Hat for Hazel

My husband and I became grandparents this week! My son and his wife welcomed their daughter, Hazel, to the world on Wednesday afternoon. It’s been an incredible journey, and I can’t quite believe it’s real. I’ve spent most of the past 48 hours staring at the pictures they’ve sent. (Thank goodness for that miracle!) She arrived a week ahead of schedule, so I was still knitting a hat for her. As I finished the final stitches, the shape of the crown set words whirling through my head. This draft is the result of a very happy, but very tired mind.

A Hat for Hazel

On the night you were born,
I knit you a hat.
At the top, stitches disappeared,
whirling, whorling,
spiraling into a singularity:
A galaxy of wool.

Outside, a billion stars whirled
overhead, glittering in celebration.

You stretched ten perfect fingers,
tipped with spiraling whorls
high above your head,
beginning your dance with the world.

Draft © 2020 Catherine Flynn

                        

Please be sure to visit Jone MacCulloch at DeoWriter for the Poetry Friday Roundup.

Welcome to the Poetry Friday Roundup!

“The writer should never be ashamed of staring.
There is nothing that does not require his attention.”
~ Flannery O’Connor ~

Welcome to the Poetry Friday Roundup! I’m so glad you stopped by.
(Learn more about Poetry Friday here.)

I had big plans for hosting today. Alas, I’ve been under the weather this week, doing a lot of staring. Birds, stars, the moon, you name it, I’ve stared at it. But nothing has come together. So I decided to roundup some haiku I shared on Twitter in December for #haikuforhope.

feathery snow angel
reminds me
birds were here first

the moon does not
discriminate; its beauty
is free for all

after the solstice
bluejays and chickadees feast
for a minute more

pen meets page
portal to another world
reveals itself

Photo by Aaron Burden on Unsplash

Now on to the Roundup!

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Poetry Friday: “Making Peace”

“Making Peace”
by Denise Levertov

A voice from the dark called out,
             ‘The poets must give us
imagination of peace, to oust the intense, familiar
imagination of disaster. Peace, not only
the absence of war.’
                                   But peace, like a poem,
is not there ahead of itself,
can’t be imagined before it is made,
can’t be known except
in the words of its making,
grammar of justice,
syntax of mutual aid.
Read the rest of the poem here.
Please be sure to visit Sally Murphy at her blog for the Poetry Friday Roundup.