Slice of Life: The Art of Leonard Weisgard


In Minders of Make: Idealists, Entrepreneurs, and the Shaping of American Children’s Literature (Houghton Mifflin, 2008), Leonard Marcus writes, “To those who worked in the children’s book industry of the early 1940’s, New York could seem as small as a fairy-tale village.” By the 1950’s and early 1960’s, many writers, illustrators, and editors of the children’s book world had moved to my corner of Connecticut, trading one fairy-tale setting for another. Renowned illustrator Leonard Weisgard was among them.  Although I didn’t know until Saturday that he had lived nearby, Weisgard’s books were a staple of my childhood.

51YWWHu6C5L._SX258_BO1,204,203,200_  1947_The_Little_Island

Weisgard illustrated classics such as The Golden Egg Book and The Golden Bunny. My sister and I loved Pussy Willow so much we wore out several copies. Weisgard won the Caldecott Medal in 1947 for The Little Island, written by Golden MacDonald, a pseudonym for Margaret Wise Brown. 

Last Saturday, neighbors, friends, and family gathered for “Modernist in the Nursery: The Art FullSizeRender-2of Legendary Illustrator Leonard Weisgard, a talk by children’s literature historian Leonard Marcus. (Connecticut is still a mecca for the children’s book world; I sat next to Lane Smith!) Marcus talked about Weisgard’s love of color and nature. He discussed Weisgard’s many collaborations with Margaret Wise Brown and how her work at the Bank Street Writers Laboratory influenced his art. Weisgard loved folk art, and Marcus shared several examples of how that love influenced his art.

Weisgard's daughter, Abby, with Leonard Marcus
Weisgard’s daughter, Abby, with Leonard Marcus

 When Marcus concluded his remarks, Weisgard’s  daughter, Abby, answered questions and shared  memories of her father. Neighbors and friends   shared recollections of Weisgard’s generosity and humility, then told stories of  wonderful meals with Weisgard and his family.

 Throughout the afternoon, it was clear from both his art and everyone’s  memories that Weisgard respected children and trusted their ability to “see  and hear and feel with simple intensity.” In his Caldecott Medal Acceptance  Speech, Weisgard said that “books…have always been a source of real magic in  this wildly confusing world.” Thank you, Leonard Weisgard, for sharing your singular magic with the world.

 Thank you to StaceyTaraDanaBetsyAnna, and Beth for this space for teachers and others to share their stories each Tuesday. Be sure to visit Two Writing Teachers to read more Slice of Life posts.

8 thoughts on “Slice of Life: The Art of Leonard Weisgard

  1. What a wonderful time you had, Catherine. I love these books, and read them still to my granddaughters. A very favorite is Red Light, Green Light. Thanks for sharing your special day!


  2. a wonderful tribute and insight to Leonard Weisgard mind and work. His family is really honoring him and what he has contributed to many generations of children. The nature of publishing books allows that to continue for future generations


  3. […] The geographical map of Northwest Connecticut is an “Area of Maximum Artist Density” where artists of all kinds dot the map. Catherine and I were spending Saturday afternoon in the small library conference room listening to a lecture by Leonard S. Marcus one of the world’s leading authorities on children’s books and their illustration. (See Catherine’s post here). […]


  4. This sounds like a great talk. I lived and taught in your corner of Connecticut for two years, and its beauty left a lasting impression. I had a sense of artists past and present around, but it would be wonderful to learn more!


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