Slice of Life: Every Picture Tells a Story

11454297503_e27946e4ff_h

On Thursday, I’ll be heading to Minneapolis for my third NCTE Annual Convention. The previous two conventions have energized and inspired me. It’s such a thrill to meet nationally known educators and authors. I’ve also had a great time meeting fellow Slicers, bloggers, and Twitter friends. This year, my anticipation is even greater because I’ll be presenting “Every Picture Tells A Story” during a poster session on Saturday morning.

Screen Shot 2015-11-17 at 1.20.42 PM  Screen Shot 2015-11-17 at 12.31.45 PM

                                                                                  Screen Shot 2015-11-17 at 12.27.34 PM

Many years ago, when I first read Keane & Zimmerman’s Mosaic of Thought (Heinemann, 1997) and Strategies that Work, by Harvey & Goudvis, I was inspired to find ways to provide my students with additional practice using comprehension strategies to develop their understanding of texts. I also realized that  many kids who struggle with decoding weren’t getting enough opportunities to utilize the strategies. They were exerting so much energy decoding, they had nothing left for the higher level thinking needed for a deep understanding of their reading.

So I began incorporating art into my reading instruction as a way to give kids with decoding difficulties chances to practice and feel successful with comprehension strategies. It was quickly apparent that all students would benefit from learning to “read” the art. I’ve used paintings and illustrations to help first graders develop their retelling skills and third graders practice inferring and drawing conclusions. WPA photographs were a huge help when sixth graders were building background knowledge before reading Bud, Not Buddy. The possibilities for using art and photographs in the classroom are endless.

Paintings, illustrations, and photographs are also perfect for close reading. Strategies spelled out in recent books such as What Readers Really Do: Teaching the Process of Meaning Making (2012), by Dorothy Barnhouse and Vicki Vinton, Falling in Love with Close Reading, by Christopher Lehman and Kate Roberts, and Notice & Note: Strategies for Close Reading, by Kylene Beers and Robert L. Probst can all be introduced and practiced using art. After gathering details and developing ideas, students can also work on incorporating details that support their thinking into their writing, something our students always find challenging.

Constructing meaning from visual images has grown in popularity over the past ten years or so. There are many books and articles that offer additional ideas and suggestions for incorporating  them into the curriculum. Later this week, I’ll be sharing some of these resources, as well as a lesson I recently taught in fifth grade.

Hope to see you in Minneapolis! Thank you to StaceyTaraDanaBetsyAnnaBeth, Kathleen, and Deb for this space for teachers and others to share their stories each Tuesday. Be sure to visit Two Writing Teachers to read more Slice of Life posts.

 

Is Test Prep the Mint of Education?

Close reading has been my mind a lot lately. I recently read What Readers Really Do, by Dorothy Barnhouse and Vicki Vinton. I revisited Notice and Note: Strategies for Close Reading, by Kylene Beers and Robert Probst as well as Falling in Love With Close Reading, by Christopher Lehman and Kate Roberts. Yesterday, Tara Smith’s excellent post on reading journals gave me more to think about. This is important work. Work that will help our students “grow and develop new ideas and insights.” (Barnhouse & Vinton, pg. 152) I need time to process all this wisdom and work with my colleagues to determine how we’ll integrate these ideas into our teaching. I’ll be sharing more about this in the weeks to come. In the meantime, I want to share a post from 2013 that still holds true today.

Thank you, as always, to StaceyTaraDanaBetsyAnna, and Beth for hosting Slice of Life each Tuesday. Be sure to visit Two Writing Teachers to read more Slice of Life posts.

Catherine Flynn's avatarReading to the Core

Image via Wikimedia Commons

This morning as I was weeding my garden, it occurred to me that the mint that had overrun my herb garden was like standardized test prep. As schools across the country do their best to prepare students for the new CCSS-aligned assessments, test prep is running rampant. Just as the mint in my garden has choked out the basil and parsley, test prep, and the tests themselves, threaten to take over the school day, leaving no time to savor novels, delve into a character’s motivation, or write a deeply personal narrative.

I grow a variety of herbs in my garden because each herb has its own distinct flavor and use. The amount of the herb I use depends on what I’m cooking. The same is true for teaching. We have a wide variety of instructional resources and strategies available. As professionals, we take great care to make…

View original post 202 more words

SOLC 2014: Finding Gold in the Classroom

11454297503_e27946e4ff_h

“The text awakens associations in the reader’s mind, and out of the mix, meaning is created.”

~ Kylene Beers & Robert E. Probst ~

Like many of you, I have been working with my colleagues to teach students to read more closely and gather evidence to support their thinking. I am thankful for the work of Christopher Lehman and Kate Roberts in their book Falling in Love with Close Reading, Vicki Vinton on her blog, To Make A Prairie (I’m embarrassed to confess that her book, What Readers Really Do, written with Dorothy Barnhouse, is still in my TBR pile.), and Notice & Note: Strategies for Close Reading, by Kylene Beers and Robert E. Probst, for helping us in this endeavor. 

Last week, I mentioned sharing King Midas and the Golden Touch with the fourth grade students at my school. They all enjoyed the story, and because of our rich discussion, had a good understanding of the theme. They were also able to write about this understanding, but incorporating evidence from the story into their writing was more of a challenge.

Their teachers and I knew from the start that this wasn’t going to be a “one-shot deal.” We knew there would be many more lessons, including guided and independent practice, as well as feedback, to get our students to be able to do this kind of work well. So on Friday, I was back in their classrooms with a very short excerpt from Jon J. Muth’s Zen Shorts, “Uncle Ry and the Moon.” I love sharing this deceptively simple story with students, and have done so many times. Muth’s book is quiet and unassuming, but it contains a powerful message.

71voPogi3LL

Following the same routine we had used with King Midas, I read the story through once. The kids followed along on a typed version of the text. When I finished reading, I was met with a roomful of puzzled faces. I asked the kids to write what they had noticed and what they were wondering (We used a modified version on Vicki Vinton’s “Know/Wonder” chart for this.) Once they had their thoughts written down, they shared. All of the students were confused by Uncle Ry’s attitude toward the intruder. This clearly conflicted with the action they would take, or expect anyone to take, under similar circumstances. I complimented them for noticing this important contradiction, and explained to them the importance of this kind of observation. When an author includes those contradictions, he’s doing it for a reason. (Notice & Note, pg. 71)

Our next step was to reread the story, more carefully this time, and we stopped along the way to discuss what we were noticing now, and trying to sort out our confusion and begin to answer some of our questions. As we read, some students made thoughtful observations or raised interesting questions. Others asked questions to clarify a simpler element of the story, but these were important, too. I let them discuss these with their partners before sharing with the whole class.

It was during this conversation that one boy tentatively raised his hand. I have known and worked with this student since he was in first grade. His thinking is often perceptive, but can sometimes be muddled. I paused before calling on him to give him time to organize his thinking. Then I nodded to him and he said, “It’s like he’s the opposite of King Midas. Uncle Ry gives things away because he doesn’t mind being poor, and Midas wanted to have as much gold as he could get.”

I was speechless. I hadn’t thought of that myself. His teacher and I exchanged a look of joy. Of course, we let him know how impressed we were with his thinking and the he had made such a meaningful connection to King Midas. Then, another student started to raise her hand, and again, I could see the wheels still turning. She proceeded to tell us that another reason Uncle Ry was different from Midas is that Midas was blinded by greed, but Uncle Ry was blinded by his kind nature, and that was why he saw the intruder as a visitor.

I have shared this story with students many times before, but they have never come to these deep and thoughtful conclusions or level of understanding. So what was different? I hadn’t read the story right after King Midas before, but I wasn’t consciously thinking of a thematic connection between the two. Just as before, I had a plan when I began the lesson, but it was more open-ended. In the past, we were usually focusing specifically on character traits or summarizing. I firmly believe that the kids were able to achieve this level of understanding because I followed their lead. I let them develop the questions they had about the story. I let them go back and locate significant passages in the text. We do our students a huge disservice when we teach from a script and ask only preplanned, canned questions.

Are we finished with this work? Absolutely not. But we are laying a solid foundation for the kind of close reading and thinking skills our students will need to be thoughtful, caring human beings. And that, my friends, is worth all the gold in the world.

Image courtesy of FreeDigitalPhotos.net
Image courtesy of FreeDigitalPhotos.net

Thank you to StaceyTaraDanaBetsyAnna, and Beth for hosting the Slice of Life Challenge. Be sure to visit Two Writing Teachers to read more Slice of Life posts.

Poetry Friday: Love after Love

Poetry_Friday_Button-210

Kate Roberts and Chris Lehman have just written a new book, Falling in Love With Close Reading. For the past seven weeks, they have been hosting a blog-a-thon to celebrate their book’s publication. Last week, Kate’s contribution on her blog, Indent, was about closely reading her life. She shared a few the insights and revelations she gained by spending one day being truly observant of her actions and reactions. One of her statements resonated with me:

“Chris and I believe that the skill of reading our world closely allows us to live richer, more beautiful lives.”

This line made me think of an episode of Krista Tippett’s On Being which featured an interview with Jon Kabat-Zinn about the science of mindfulness. At the end of the interview, Zinn shared this poem.

“Love after Love”

by Derek Walcott

The time will come

when, with elation,

you will greet yourself arriving

at your own door, in your own mirror,

and each will smile at the other’s

welcome,

and say, sit here. Eat.

You will love again the stranger who was

your self.

Give wine. Give bread. Give back your heart

to itself, to the stranger who has loved you

all your life…

Read the rest of the poem and learn more about Jon Kabat-Zinn here.

Only through knowing ourselves can we be open to the love of others and fully love them in return. Thank you, Kate and Chris, for reminding me of this. Thank you for helping me find my way back to this poem. For poetry is all about reading our world closely. Poetry allows us to live richer, more beautiful lives.

Be sure to visit Cathy Mere at Merely Day by Day for more enriching poetry.